


Charles Horn is a green machine.
“If I thought of myself as a pie chart, I’m 75 percent worried about my consumption and how it affects the world,” says wood-working sculptor and future-architect, Charles Horn. “I also think about the way things are made.” Charles is a bonafide renaissance man and his diverse interests result in a tension that he diagnoses as healthy. “My sculpture is more of an intellectual process. It’s about me exploring my background and identity,” he says. From a family of loggers, carpenters and contractors, Charles has “sawdust in [his] blood.” Hailing from
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